Guts by Mark DresserDeezer
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- 1Explorations – A Conversation With Composer Roger Reynolds—
- 2Explanations – A Studio Demonstration—
- 3[untitled]—
- 4Terminology / Gravity Bow Drops—
- 5Harmonics / Higher Harmonic Partials—
- 6Artificial Harmonics—
- 7Compound Artificial Harmonics—
- 8Pizzicato Artificial Harmonics—
- 9Falsetto Flautando—
- 10Subharmonics—
- 11Multiphonics—
- 12Arco Multiphonics—
- 13Two‐Handed Pizzicato Technique—
- 14Double Glissando—
- 15Bitones—
- 16Amplification—
- 17Conclusion—
- 18Investigations – Approaches to Making Music—
- 19[untitled]—
- 20[untitled]—
- 21Early Development—
- 22Improvisation and Composition—
- 23Musical DNA—
- 24The Limits of Notation—
- 25Context and Control—
- 26Common Affinities—
- 27Commitment and Development—
- 28Making It Work—
- 29Everything Is There—
- 30Electro‐Acoustic Performance—
- 31Intuition and Growth—
- 32Be Yourself Completely—
- 1Visceras2:29
- 2Spleendeed3:37
- 3Innard Pulse4:33
- 4Dermus6:45
- 5Duohandum6:11
- 6K‐Tude1:48
- 7S’Offal3:34
- 8Kishkus4:46
- 9imAge/Contrabass6:47
- 10imagE/Contrabass4:40
- 11Ekoneni3:54
